INTRODUCING RBF
  Welcome message
by Gelfand Kausiyo
General Manager: Radio Broadcast Facilities (RBF)


  Radio is South Africa’s biggest and most influential medium of communication. More South Africans listen to radio than they watch television and read print media combined and indeed a large portion of the country’s 44 million people rely on radio for up-to-date information and instant broadcasts.

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It is the year 2010 - A year that holds a lot of promises for all South Africans. We have all been waiting in anticipation for it to arrive. It is the year of the FIFA Soccer World cup to be hosted here in South Africa. New stadiums have been built all over South Africa, the hotel and transport industries spent millions to be able to cater for the influx of people to South Africa.

In Radio Broadcast Facilities (RBF) it is no different. We have been planning for this event since South Africa was announced as the host for the FIFA Soccer World cup.

Some interesting facts about RBF's plans:

§ SABC holds the title of Official Broadcaster

§ SABC is a rights holding media organisation

§ A total of 64 matches will be played over a period of 25 match days from 11 June to 11 July in 9 Host cities

§ In SA, Radio is the only medium that millions of people have access to

§ RBF endeavours to put technology in place to enhance the TV viewing experience by “simulcasting” radio signals with terrestrial SABC 1. This means that viewers will be able to tune into their Radio Stations and listen to the match in a language of their choice whilst viewing it on terrestrial TV

§ A Technology Plan for Radio is in place to meet the live production requirements of 11 PBS stations (9 ALS, RSG and Radio 2000)

§ Radio 2000 will broadcast all 64 matches live from the stadia

§ The other 10 stations will broadcast selected matches from the stadia and the rest from the off-tube commentary facility at Radiopark

§ RBF is responsible for equipping ALL the SABC Radio stadia positions, the distribution of the crowd effects as well as providing manpower to monitor these positions.

§ In addition to the stadia, RBF is responsible for equipping and manning the centralized off-tube commentary facilities at Radiopark (RBC = Radio Broadcast Centre)

§ All audio signals originate from the stadia and are routed to the RBC. At the RBC the signals are combined with the analysts and other audio contributions before being sent to the respective regions via IP for broadcast.

§ All the mentioned 11 PBS stations as well as Metro FM, SAFM and TruFM will also be covering events on a presentation basis from 47 PVAs (Public Viewing Areas) and 10 FIFA Fan Fest Venues. Coverage will be on a regional basis using the stations RBF operated Broadcast Mobiles.

§ A total of 27 RBF technical producers will assist the Radio Stations with all their stadia technical requirements (Many of the other non-stadia RBF technical producers will assist either at the RBC or on the PVA / Fan Fest OB’s)

RBF and its staff will do more than its best to bring the soccer action to all the radio listeners.

Above: A typical RBF Outside broadcasting set up that was used during the SA-England cricket tour will also be used for the Soccer World Cup

LATEST NEWS

 

RBF Free-State
It was a busy year in the RBF facilities with M1 music studio (and the newly revamped S5) successfully used to complete various commercial projects. A few of the highlights were:

A DVD recording for Cobus Potgieter; which was completed over five days. Cobus is a Youtube drumming phenomenon hailing from Bloemfontein. His Youtube account has almost eighty-thousand subscribers with twenty-eight million views of his video covers in total.


Bhudaza Mapafane recorded his third studio album in 2009 and the whole project was completed in the M1 and S5 studios. His first single ‘Babelasi’ is receiving extensive airplay on local and national stations.


‘Die Straatligkinders’ used the M1 to record drums for their new album; the M1’s Amek Rembrandt Console and its range of vintage Neumann K100 microphones played a big role in dialing the sound that engineer Ewald Janse van Rensburg (ex-guitarist Soul Proxy) was looking for.

RBF Free-State successfully hosted a training program that saw eight prospective engineers take part in training in M1 music studio, S5 and Drama facilities. These individuals are now equipped to complete a production from pre-production to basic mastering utilizing the RBF facilities. As part of the training, in conjunction with Lesedi FM, each student was given a complete recording and production assignment. These songs are to receive airplay on Lesedi FM as part of their community responsibility program.


 

The 13th annual RBF Challenge drew to a close this year when the finals took place at Theatre of Marcellus, Emperors Palace on Sunday the 4th of October 2009.

This year saw the most diverse musical line up of all time with bands performing - pop, rock, hardcore, metal, acoustic, jazz as well as hip hop mixed with jazz/rock and soul. Bands played their best two songs on the fantastic live music stage of Theatre of Marcellus which was designed for big sound and big lights.

Bands in action on the day were:
Cry Out Riot; Sunburn; Morrison; Still Sung; Break My Fall; Acoustic Liquid; Die the Betrayer; The Action Thrillers; Octanium; Sonsteek; Scarlet Street; Erand is Blomme; Travellin Blak; One Way Avenue; The Stella’s; El Koi; Black Jacket; Hour of Blight; One Days Notice; New Beginnings; Avenge the Angels; Die Brandwag (Klerksdorp); Colour Blind (Bloem); Red Light Stereo (Durban); Checked Zebras (Cape Town).
And the winning band on the day were Sonsteek (pictured below). Sonsteek rose to the occassion performing to a packed Theatre of Marcellus at Emperors Palace during the national finals of the 13th RBF Challenge.
On the day 25 bands were in action but it was Sonsteek that impressed the judges the most playing themselves to winning recording time courtesy of Radio Broadcast Facilities (RBF) at the SABC.

>>MORE PHOTOS
>>>>MORE BATTLE OF THE BANDS NEWS!!!

>>MORE NEWS


 

 


 
 


 

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